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  2. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    In music theory, Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given musical key . Specific notation conventions vary: some theorists use uppercase numerals (e.g. I, IV, V) to represent major chords, and lowercase numerals ...

  3. C major - Wikipedia

    en.wikipedia.org/wiki/C_major

    Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]

  4. Chromatic mediant - Wikipedia

    en.wikipedia.org/wiki/Chromatic_mediant

    A chromatic mediant relationship defined conservatively is a relationship between two sections and/or chords whose roots are related by a major third or minor third, and contain one common tone (thereby sharing the same quality, i.e. major or minor ). For example, in the key of C major the diatonic mediant and submediant are E minor and A minor ...

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...

  6. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...

  7. Major chord - Wikipedia

    en.wikipedia.org/wiki/Major_chord

    In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}. A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third.

  8. C-flat major - Wikipedia

    en.wikipedia.org/wiki/C-flat_major

    C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...

  9. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    Secondary chord. A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period: the use of diatonic functions for tonicization . Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key.