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The Language of Music (2012) is a contemporary music theory book written by Tom Brooks and published by Hal Leonard Publishing. The book explains principles used in modern music starting at a foundational level (Basic Building Blocks of Music) and progressing to topics such as Chord Building , Transposition, Cadences , Modes , and Chord ...
Music manuscripts are handwritten sources of music. Generally speaking, they can be written on paper or parchment. If the manuscript contains the composer 's handwriting it is called an autograph. Music manuscripts can contain musical notation as well as texts and images. There exists a wide variety of types from sketches and fragments, to ...
This is the beginning of the Prelude from the Suite for Lute in G minor, BWV 995 (transcription of Cello Suite No. 5, BWV 1011). Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given ...
1936365537. How Music Works is a non-fiction book by David Byrne, a musician, composer, and writer best known for his work with the group Talking Heads. He discusses the form and influence of music in a non-linear narrative fashion, using a variety of experiences from his career to create something part autobiography and part music theory.
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Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the outer album jacket or the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner".
Ludwig van Beethoven (1770–1827) was a German composer in the transition between the classical and romantic period. He composed in many different forms including nine symphonies, five piano concertos, and a violin concerto. [ 1] Beethoven's method of composition has long been debated among scholars.
Genesis of a Music is a book first published in 1949 by microtonal composer Harry Partch (1901–1974). Partch first presents a polemic against both equal temperament and the long history of stagnation in the teaching of music ; according to Alex Ross , this is "the most startling forty-five-page history of music ever written".