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978-1-45840-294-3. Website. tombrooksmusic.com-->. The Language of Music (2012) is a contemporary music theory book written by Tom Brooks and published by Hal Leonard Publishing. [1] The book explains principles used in modern music starting at a foundational level (Basic Building Blocks of Music) and progressing to topics such as Chord ...
Music manuscripts are handwritten sources of music. Generally speaking, they can be written on paper or parchment. If the manuscript contains the composer 's handwriting it is called an autograph. Music manuscripts can contain musical notation as well as texts and images. There exists a wide variety of types from sketches and fragments, to ...
1936365537. How Music Works is a non-fiction book by David Byrne, a musician, composer, and writer best known for his work with the group Talking Heads. He discusses the form and influence of music in a non-linear narrative fashion, using a variety of experiences from his career to create something part autobiography and part music theory.
The Black Halo is a concept album based on Faust, Part Two. It is a follow-up to Epica, which was based on Faust, Part One. All 30 tracks are related to Lovecraft or his work. Based on aspects of the works of Moorcock, including Elric and Jerry Cornelius.
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Lindsay and Crouse was the writing team of Howard Lindsay and Russel Crouse, who collaborated famously on a succession of Broadway plays and musicals for 27 years during the mid 20th century. Their first collaboration was the rewriting of the book for the Cole Porter musical Anything Goes in 1935. They continued to co-pen books for Broadway ...
Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the outer album jacket or the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner".
Mozart's approach to composition. A surviving letter of Mozart's to his father Leopold (31 July 1778) indicates that he considered composition an active process: You know that I plunge myself into music, so to speak—that I think about it all day long—that I like experimenting—studying—reflecting.