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For the wide-ratio transmission, the first gear ratio is 4:1 or 4, and in second gear it is 2:1 or 2, so the progression is equal to 4/2 = 2 (or 200%). For the close-ratio transmission, first gear has a 4:1 ratio or 4, and second gear has a ratio of 3:1 or 3, so the progression between gears is 4/3, or 133%.
The gearbox was designed so that, for efficiency, the fastest ratio would be a "direct-drive" or "straight-through" 1:1 ratio, avoiding frictional losses in the gears. Achieving an overdriven ratio for cruising thus required a gearbox ratio even higher than this, i.e. the gearbox output shaft rotating faster than the engine.
Given a single-start worm, a 20-tooth worm wheel reduces the speed by the ratio of 20:1. With spur gears, a gear of 12 teeth must match with a 240-tooth gear to achieve the same 20:1 ratio. Therefore, if the diametrical pitch (DP) of each gear is the same, then, in terms of the physical size of the 240 tooth gear to that of the 20 tooth gear ...
ZF 6HP transmission. 6HP is ZF Friedrichshafen AG's trademark name for its six-speed automatic transmission models ( 6 -speed transmission with H ydraulic converter and P lanetary gearsets) for longitudinal engine applications, designed and built by ZF's subsidiary in Saarbrücken. Released as the 6HP 26 in 2000, it was the first six-speed ...
7 mm scale. 7 mm scale, also known as British 0 scale is a model railway scale of 1:43.5 (or 7 mm to 1 ft; hence its name). The scale is thus different from American 0 scale (1:48) and European 0 scale (1:45) For standard gauge railways, 32mm gauge, or 0 gauge is most commonly used. ScaleSeven (S7) standard however specifies 33 mm gauge, which ...
The display aspect ratio ( DAR) is the aspect ratio of a display device and so the proportional relationship between the physical width and the height of the display. It is expressed as two numbers separated by a colon ( x: y ), where x corresponds to the width and y to the height. Common aspect ratios for displays, past and present, include 5: ...
Many commercial films (especially epics – usually with the CinemaScope 2.35:1 optical sound or the older 4-track mag sound 2.55:1 aspect ratio) are recorded on standard 35 mm ~4:3 aspect ratio film, [a] using an anamorphic lens to horizontally compress all footage into a ~4:3 frame.
In the following quote, an "apertal ratio" of "1 ⁄ 24" is calculated as the ratio of 6 inches (150 mm) to 1 ⁄ 4 inch (6.4 mm), corresponding to an f /24 f-stop: In every lens there is, corresponding to a given apertal ratio (that is, the ratio of the diameter of the stop to the focal length), a certain distance of a near object from it ...
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