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American Sniper. American Sniper is a 2014 American biographical war drama film directed and co-produced by Clint Eastwood and written and executive-produced by Jason Hall, loosely based on the memoir American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History (2012) by Chris Kyle with Scott McEwen and Jim DeFelice.
Pre-Code Hollywood is the era in the American film industry after the introduction of sound in the early 1920s and the enforcement of the Motion Picture Production Code (Hays Code) censorship guidelines. Although the Code was adopted in 1930, oversight was poor and it did not become effectively enforced until July 1, 1934.
Sergeant. Unit. 75th Ranger Regiment. 3rd Ranger Battalion. Battles/wars. Iraq War. War in Afghanistan. Nicholas Irving (born November 28, 1986) is an American author and former soldier. He was a special operations sniper in the 3rd Ranger Battalion for the U.S. Army. [1]
Pre-Code Hollywood. In this 1931 publicity photo, Dorothy Mackaill plays a secretary-turned-prostitute in Safe in Hell, a pre-Code Warner Bros. film. Pre-Code films such as The Public Enemy (1931) were able to feature criminal, anti-hero protagonists. Pre-Code Hollywood was an era in the American film industry that occurred between the ...
Shooter (2007 film) Silent Trigger. Sniper (2022 film) The Sniper (1952 film) Sniper (1993 film) The Sniper (2009 film) Sniper 2. Sniper 3. Sniper: Assassin's End.
This category is for action films produced in the United States. Action film is a film genre in which the protagonist or protagonists are thrust into a series of events that typically include violence, extended fighting, physical feats, and frantic chases.
United States. Bulgaria. Turkey. Greece. Language. English. Sniper: Legacy is a 2014 [1] American direct-to-video action film directed by Don Michael Paul. [2] It is the fifth installment in the Sniper film series and a sequel to Sniper: Reloaded (2011).
American Assassin grossed $36.2 million in the United States and Canada, and $30.9 million in other territories, for a worldwide total of $67.2 million, against a production budget of $33 million. In North America, the film was released alongside Mother!, and was projected to gross $12–14 million from 3,154 theaters in its opening weekend.