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The latter chart had only been launched in November 1952, and "Don't Let the Stars Get In Your Eyes" thus became the first of Como's many UK chart hits. It peaked at the top of the singles chart the same week that the song made No. 1 on the sheet music listing (week ending 6 February, its fourth week on chart).
Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music ...
In modal tunings, the strings are tuned to form a chord which is not definitively minor or major. These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones. Often these tunings form a suspended chord on the open strings. A well known user of modal tunings is Sonic Youth. Asus2: E-A-B-E-A-E
A '50s progression in C. The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [ 1][ 2] the doo-wop progression[ 3]: 204 and the " ice cream changes " [ 4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V.
help. " Bad Day " is a pop song by Canadian singer-songwriter Daniel Powter from his self-titled second studio album (2005). It was written by Powter and produced by Jeff Dawson and Mitchell Froom. Powter and Dawson recorded the song in 2005, but were initially unable to find a record label to release it. The song was first used in a French ...
See media help. " Keep Your Eyes on the Prize " is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, " Gospel Plow ," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof. An early reference to the older song, "Gospel Plow ...
The song opens with the narrator setting the scene: a place off the titular street, "we were both 16 and it felt so right / sleeping all day staying up all night." The lyrics specifically refer to Key's memories of being in high school and meeting friends who lived closer to the beach, where they would be rambunctious late into the evening.
Smoke Gets in Your Eyes. " Smoke Gets in Your Eyes " is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical comedy Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray ...