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The culture of Singapore has changed greatly over the millennia. Its contemporary modern culture consists of a combination of Asian and European cultures, mainly by Malay, South Asian, East Asian and Eurasian influences. Singapore has been dubbed as a country where "East meets West", "Gateway to Asia" and a "Garden city".
Singaporeans are the citizens and nationals of the sovereign island city-state of Singapore. [3] Singapore is home to a people of a variety of ethno-racial-religious origins, with the city-state itself being a multi-racial, multi-cultural, multi-religious, multi-denominational, multi-lingual, and multi-ethnic country.
Women in Singapore, particularly those who have joined Singapore's workforce, are faced with balancing their traditional and modern-day roles in Singaporean society and economy. According to the book The Three Paradoxes: Working Women in Singapore written by Jean Lee S.K., Kathleen Campbell, and Audrey Chia, there are "three paradoxes ...
The word reflects a Singaporean mindset and has become ingrained in Singapore’s national culture. [6] Kiasu is also similar in etymology to another Singlish term: kiasi which literally translates to “fear of death”. [7] Both terms are used to describe similar attitudes, but have almost opposite uses.
The next generation of Singaporean filmmakers are displaying the rich tapestry of the city-state’s culture at the Southeast Asian Film Lab, which is part of the Singapore Media Festival.
The Singapore Department of Statistics defines "Chinese" as a "race" or "ethnic group", in conjunction with "Malay, Indian and Others" under the CMIO model. [10] They consist of "persons of Chinese origin" such as the Hokkiens, Teochews, Hainanese, Cantonese, Hakka, Henghuas, Hokchias and Foochows, Shanghainese, Northern Chinese, etc." [11] Chinese Singaporeans are defined as the "Chinese ...
The history of the modern state of Singapore dates back to its founding in the early 19th century; however, evidence suggests that a significant trading settlement existed on the island in the 14th century. The last ruler of the Kingdom of Singapura, Parameswara, was expelled by the Majapahit or the Siamese before he founded Malacca.
Hofstede's cultural dimensions theory is a framework for cross-cultural psychology, developed by Geert Hofstede. It shows the effects of a society's culture on the values of its members, and how these values relate to behavior, using a structure derived from factor analysis. [1] Hofstede's cultural dimensions theory.