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Treemonisha (1911) is an opera by American ragtime composer Scott Joplin. It is sometimes referred to as a "ragtime opera", though Joplin did not refer to it as such and it encompasses a wide range of musical styles. [ 1] The music of Treemonisha includes an overture and prelude, along with various recitatives, choruses, small ensemble pieces ...
by Miguel de Cervantes. Premiere. 27 November 1843. ( 1843-11-27) Drury Lane Theatre, London. The Bohemian Girl is an Irish Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes ' tale, La gitanilla . The best-known aria from the piece is "I Dreamt I Dwelt in Marble ...
Cover of the Edition Peters sheet music of "Lux aeterna" by György Ligeti. This is a list of online digital musical document libraries.Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources).
Salome (opera) Salome. (opera) Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann 's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. [1] The opera is famous (at the time of its premiere, infamous) for ...
Elektra, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, [ 1] which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909.
The Queen of Spades or Pique Dame, [a] Op. 68 (Russian: Пиковая дама, Pikovaya dama listen ⓘ, French: La Dame de Pique) is an opera in three acts (seven scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on the 1834 novella of the same name by Alexander Pushkin, but with a dramatically altered plot.
Der Freischütz. Der Freischütz ( J. 277, Op. 77 The Marksman[ 1 ] or The Freeshooter[ 2 ]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun [ 3 ] from their 1810 collection Gespensterbuch. It premiered on 18 June 1821 at ...
The music took the form of a return to vocal traditions of Rossini's youth, and was a melodrama in which he "recreated the baroque tradition of decorative singing with unparalleled skill". [4] The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are of a high order, as is the orchestral writing, which makes ...
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