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Sprung floor. A sprung floor is a floor that absorbs shocks, giving it a softer feel. Such floors are considered the best kind for dance and indoor sports and physical education, [ 1] and can enhance performance and greatly reduce injuries. Modern sprung floors are supported by foam backing or rubber feet, while traditional floors provide their ...
Barre (ballet) A ballet dancer doing barre exercises at a portable barre. A permanent barre can be seen in the reflected background, mounted to the wall, to the right. A barre ( French pronunciation: [baʁ]) is a stationary handrail that provides support for people during various types of exercise. Barres are used extensively in ballet training ...
Performance surface. A performance surface is a type of flooring with attributes suitable for dance or sport. The word performance in this context will refer to any means of displaying physical movement. This includes theatrical, athletic, and recreational forms of performance. However, these different disciplines all require specialized floors ...
Floor-Barre. Floor-barre is a technique in ballet training that "takes the basic ballet barre training from the standing position to the floor, "taking the effort of standing out of the equation." Zena Rommett (R) originated Floor Barre in the 1960s in New York City one day in class, when she found herself telling the students at the ballet ...
Vaganova method. Agrippina Vaganova, founder of the Vaganova method, pictured in 1910. The Vaganova method is a ballet technique and training system devised by the Russian dancer and pedagogue Agrippina Vaganova (1879–1951). It was derived from the teachings of the Premier Maître de Ballet Marius Petipa, throughout the late 19th century.
Floorwork is a feature of many kinds of belly dance, often involving the manipulation of a prop while lying on the floor and intended to showcase the dancer's control. Masha Archer , as part of an effort to change what she saw as the over-sexualized and exploitative features of belly dance, rejected floorwork because she did not want audiences ...
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