Search results
Results From The WOW.Com Content Network
Non-fungible token. A non-fungible token ( NFT) is a unique digital identifier that is recorded on a blockchain and is used to certify ownership and authenticity. It cannot be copied, substituted, or subdivided. [ 1] The ownership of an NFT is recorded in the blockchain and can be transferred by the owner, allowing NFTs to be sold and traded.
ERC-721. The ERC-721 Non-fungible Token Standard is a technical framework, defining a set of rules and interfaces for creating and managing unique, non-fungible tokens (NFTs) on the Ethereum blockchain. [ 1][ 2][ 3] ERC-721 is recognized for formalizing the concept of an NFT and establishing the foundation of the multi-billion dollar digital ...
NFTs, or non-fungible tokens, captured the investing world’s fancy over the past few years, as high-profile sales of digital art and other digital collectibles such as CryptoPunks soared in ...
First purely NFT artwork to be offered by a major auction house, Christie's. [8] $59.3 $52.8 Clock: 2022 February 9, 2022: Pak "AssangeDAO" Ethereum Depicts a counter of the number of days Julian Assange has spent in prison. The most expensive NFT sold on-chain. [9] $34.1 $28.985 HUMAN ONE: 2021 November 9, 2021: Beeple [6] Ryan Zurrer Ethereum
A non-fungible token (NFT) exists on a blockchain and can grant someone verifiable and unique ownership rights of digital and physical goods.
The Coinbase digital currency exchange has moved into a new online marketplace that allows users to mint, buy, sell, and promote non-fungible tokens. Also known as NFTs, these assets represent...
Bored Ape Yacht Club (BAYC), often colloquially called Bored Apes or Bored Ape is a non-fungible token (NFT) collection built on the Ethereum blockchain with the ERC-721 standard. The collection features profile pictures of cartoon apes that are procedurally generated by an algorithm. The parent company of Bored Ape Yacht Club is Yuga Labs. [1]
Non-fungible tokens don’t have to be more than niche to have a big impact on the economics of art, says RMIT's Chris Berg.