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4. Quasimidi digital synthesizers (Caruso, Quasar, [40] [41] Technox, Raven, Raven MAX), computer sound cards (Guillemot Maxi Sound 64 Dynamic 3D, Maxi Sound Home Studio 64 Pro, Hoontech ST128 Gold & Ruby and Soundtrack Digital Audio, TerraTec AudioSystem EWS64L/XL/XXL/SHome Studio Pro 64, Home Studio) High-speed CMOS (HCMOS) chip.
Digital. Synthesis type. Sample-based synthesis. Input/output. Two Proteus modules, the Xtreme Lead-1 and the Mo-Phatt, sit atop an Akai multi-track recorder, together forming a system typical of Hip hop production. The E-mu Proteus was a range of digital sound modules and keyboards manufactured by E-mu Systems from 1989 to 2002.
YMF289 (OPL3-L) — low power variant of YMF262, used on some sound cards. YM2203 (OPN) — used on arcade systems. YM2608 (OPNA) — used on Nec PC-88/98 computer series. YM2610 (OPNB) — used on Neo Geo console. YM2612 (OPN2) — used in Sega's Mega Drive/Genesis game console and Fujitsu's FM Towns computer series.
E-mu Modular System. E-mu Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital sampling music workstations . After its acquisition in 1993, E-mu Systems was a wholly owned ...
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for ...
Released: May 6, 2006. Lights and Sounds is the fifth studio album by American rock band Yellowcard, released on January 24, 2006, in the United States through Capitol Records. Lights and Sounds is Yellowcard's first concept album, which was inspired to reflect what the band was feeling at the time of production and how they have matured in the ...
The Wall of Sound (also called the Spector Sound) [1] [2] is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of ...
grammy.com. The Grammy Award for Best Engineered Album, Non-Classical has been awarded since 1959. The award had several minor name changes: In 1959, the award was known as Best Engineered Record – Non-Classical. In 1960, it was awarded as Best Engineering Contribution – Other Than Classical or Novelty. From 1961 to 1962, it was awarded as ...