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History. The modern DJ's role as a performer has evolved immensely since its conception. The role originated with radio personalities who would simply select singles to be played over the radio. The contemporary role involves creating a seamless mix of music, generally using two turntables or a digital controller, intended for an audience at a ...
Electronic dance music (EDM), [ 1] also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. [ 2]
Evolution Entertainment is an American independent entertainment management and film production company. The company was founded in 1998 by Mark Burg and Oren Koules [ 1 ] and is best known for executive producing the Saw film series .
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin', Beat Street, and Wild ...
Scott Brown (DJ) Scott Alexander Brown (born 28 December 1972) is a Glasgow -born Scottish disc jockey and music producer, [ 1] now living in Huddersfield, West Yorkshire. Brown produces and plays a variety of genres, although he is most associated with bouncy techno. His music ranges from happy hardcore, through hard trance, to gabber.
The second and final Visions of Shiva single "How Much Can You Take?" was released, and van Dyk and Cosmic went their separate musical ways. By late summer, Paul released his first DJ-mix compilation "X-Mix-1 – the MFS Trip" and remixed Humate's trance hymn "Love Stimulation".
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Easy was met with mixed-to-positive reviews by the music critics, NME's Rhian Daly gave the album four stars out of five, writing that it "presents a new evolution in Le Sserafim's oeuvre, not just thematically but musically too". [13]