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This is commonly expressed, more technically, as 18×24 mm using 18×24 mm of a regular 135 film. It is closer to the normal frame size of a 35 mm motion film. This leaves half frame cameras to derive their film plate size from the aspect ratio, and frame size that was first designated by Thomas Edison (24.89 by 18.67 millimetres or 0.980 by 0. ...
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the ...
The Mamiya 645 camera systems are a series of medium format film and digital cameras and lenses manufactured by Mamiya and its successors. They are called "645" because they use the nominal 6 cm x 4.5 cm film size from 120 roll film. They came in three major generations: first-generation manual-focus film cameras, second-generation manual-focus ...
Sony FX3. The Sony FX3 is a full-frame mirrorless interchangeable-lens compact cinema camera announced on February 23, 2021. [1] Based on the previous year's Sony α7S III, it became available in March 2021. The starting price of $ 3,900 ( £ 4,200) made it one of the most affordable models in Sony's Cinema line aimed at professional filmmakers.
Took up to fifty exposures of 24×24 mm frames on 135 film. A compact Prontor leaf shutter design with bayonet mount interchangeable lenses. 135 film's standard 24×36 mm frame size is inefficient. Its 3:2 aspect ratio is too wide, recording only 59% of a required 43.3 mm diameter lens image circle.
The Konica AR camera lens mount was introduced in 1965 with the Konica Autoreflex (Autorex on the Japanese market), along with a range of lenses. It features a comparably short flange focal distance of 40.50 mm for a 35 mm film SLR camera. Its diameter is 47 mm. [3] The focal range of Konica Hexanon lenses went from 21mm to 1000mm; at the start ...