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[6] [7] During amateur radio contests, where the rate of new contacts is paramount, contest participants often give a perfect signal report of 599 even when the signal is lower quality, because always providing the same signal format enables them to send Morse code with less thought and thus increased speed.
Julian Hirsch, Stereo Review, Dec. 1967 "Their Model IIIs are the finest loudspeakers I've ever listened to, regardless of size, type, or price. They produce beautiful bass tones without boom, accurate midrange tones without a trace of coloration, and crystal-clear treble tones without hint of harshness. And they do it at any volume, including "window-rattling" sound levels." Ronald M. Benrey ...
7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET film backings. Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools, along with dedicated models expressly made for business dictation.
What reviewers say 💬. See why more than 15,600 five-star shoppers swear by this deceptively small soundbar. Pros 👍. Fans love the sound quality, comparing it to going to the movies.
In addition, some DVDs have DTS tracks, with most being 5.1 channel mixes (a few releases, however, have 6.1 "matrixed" or even discrete 6.1 tracks). Blu-ray and digital cinema both have eight-channel capability which can be used to provide either 5.1 or 7.1 surround sound . 7.1 is an extension of 5.1 that uses four surround zones: two at the ...
For example, 1 / 4 , 5 / 6 , and −101 / 100 are all irreducible fractions. On the other hand, 2 / 4 is reducible since it is equal in value to 1 / 2 , and the numerator of 1 / 2 is less than the numerator of 2 / 4 . A fraction that is reducible can be reduced by dividing both the numerator ...
Road Trips Volume 4 Number 5 is a live album by the rock band the Grateful Dead. Subtitled Boston Music Hall 6–9–76, it includes the complete concert recorded on June 9, 1976, at the Boston Music Hall in Boston, Massachusetts. It also includes six songs recorded on June 12, 1976 at the same venue. [1]
5-4 (pronounced "five to four") is a podcast that covers the U.S. Supreme Court from a critical, progressive perspective. The podcast's tagline describes it as being "about how much the Supreme Court sucks", and providing an "irreverent tour of all the ways in which the law is shaped by politics."
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