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Early development of modern Hindi theatre can be traced to the work of Bharatendu Harishchandra (1850–1885), a theatre actor, director, manager, and playwright based in Varanasi (Banaras), who is also the father of modern Hindi literature as in his short life of 35 years, he edited two magazines, Kavi vachan Sudha and Harishchandra chandrika, wrote numerous volumes of verse in Braj bhasa ...
In the context of performing arts, dance generally refers to human movement, typically rhythmic and to music, used as a form of audience entertainment in a performance setting. Definitions of what constitutes dance are dependent on social , cultural , aesthetic , artistic , and moral constraints and range from functional movement (such as folk ...
[13] [23] His encyclopedic Natya Shastra links his studies on music to the performance arts, and it has been influential in Indian performance arts tradition. [ 27 ] [ 28 ] The other ancient text, Naradiyasiksa dated to be from the 1st century BCE, discusses secular and religious music, compares the respective musical notes. [ 29 ]
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts - Natya Shastra. The eight nayikas represent eight different states ( avastha ) in relationship to her hero or nayaka . [ 1 ]
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
A person performing kirtan is known as a kirtankara (or kirtankar, कीर्तनकार). [ 4 ] [ 5 ] With roots in the Vedic anukirtana tradition, a kirtan is a call-and-response or antiphonal style song or chant , set to music, wherein multiple singers recite the names of a deity, describe a legend, express loving devotion to a deity ...
In addition, many forms of Indian folk theatre abound. Bhavai (strolling players) is a popular folk theatre form of Gujarat, said to have arisen in the 14th century AD. Bhaona and Ankiya Nats have been practicing in Assam since the early 16th century which were created and initiated by Mahapurusha Srimanta Sankardeva.