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Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
Sarah Siddons (1755–1831) was an esteemed performer of Shakespearean tragedy. Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they ...
Character flaw. In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorder, vice, phobia, prejudice, or deficiency present in a character who may be otherwise very functional. The flaw can be a problem that directly affects the character's actions and ...
Iago The influential early twentieth-century Shakespeare critic A. C. Bradley defined Othello's tragic flaw as a sexual jealousy so intense that it "converts human nature into chaos, and liberates the beast in man... the animal in man forcing itself into his consciousness in naked grossness, and he writhing before it but powerless to deny it entrance, grasping inarticulate images of pollution ...
Hubris ( / ˈhjuːbrɪs /; from Ancient Greek ὕβρις (húbris) 'pride, insolence, outrage'), or less frequently hybris ( / ˈhaɪbrɪs / ), [1] describes a personality quality of extreme or excessive pride [2] or dangerous overconfidence and complacency, [3] often in combination with (or synonymous with) arrogance. [4]
Tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. [1]
Hamlet and His Problems is an essay written by T.S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. [1] Eliot's critique gained attention partly due to his claim that ...
McLain sees Wanted as a Shakespearean tragedy, with Ghosn undone by a tragic flaw: "He is a deeply talented person, but he has a massive chip on his shoulder and he views pay as an objective ...