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In appearance the pelisse was characteristically a very short and extremely tight fitting (when worn) jacket, the cuffs and collar of which were trimmed with fur. The jacket was further decorated with patterns sewn in bullion lace, often in a pattern matching that of the dolman worn beneath it. The front of the jacket was distinctive and ...
The formal designation of the most commonly worn mess uniform in the British Army is "No. 10 (Temperate) Mess Dress". The form varies according to regiment or corps, but generally a short mess jacket is worn, which either fastens at the neck (being cut away to show the waistcoat, this being traditionally the style worn by cavalry regiments and other mounted corps), [4] or is worn with a white ...
This was mulberry, claret, or green, but not black or blue. It was single-breasted, worn open but with six gilt buttons and dummy button-holes. There was a stand collar, gauntlet cuffs, two buttons at back centre waist, and two at bottom of tails. Gold embroidery was on the collar, cuffs, and pocket flaps as for the 5th class.
Doublet is the term describing any of several types of jacket worn with Scottish highland dress; referring to both uniform and evening jackets. Uniform doublets are found in a number of different styles. Commonly they are short cut with four Inverness flaps skirt and buttoned gauntlet cuffs. It can be any colour depending upon the regiment.
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
A ruff from the 1620s. A ruff is an item of clothing worn in Western, Central, and Northern Europe and Spanish America from the mid-16th century to the mid-17th century. The round and flat variation is often called a millstone collar after its resemblance to millstones for grinding grain. Ruff of c. 1575. Detail from the Darnley Portrait of ...
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