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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity .
Aniconism is the absence of material representations of the natural and supernatural world in various cultures. Most denominations of Christianity have not generally practiced aniconism, or the avoidance or prohibition of these types of images, even dating back to early Christian art and architecture.
The Sanshi keep track of the good deeds and particularly the bad deeds of the person they inhabit. Every 60 days, on the night called Kōshin-Machi (庚申待), if the person sleeps, the Sanshi will leave the body and go to Ten-Tei (天帝), the Heavenly God, to report about the deeds of that person. Ten-Tei will then decide to punish bad ...
The Mote and the Beam is a parable of Jesus given in the Sermon on the Mount [ 1] in the Gospel of Matthew, chapter 7, verses 1 to 5. The discourse is fairly brief, and begins by warning his followers of the dangers of judging others, stating that they too would be judged by the same standard. The Sermon on the Plain has a similar passage in ...
Religious image. A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones. [citation needed]
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston. It is considered a classic of the Harlem Renaissance , [ 1 ] and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
The print is Hokusai's best-known work and the first in his series Thirty-six Views of Mount Fuji, in which the use of Prussian blue revolutionized Japanese prints. The composition of The Great Wave is a synthesis of traditional Japanese prints and use of graphical perspective developed in Europe, and earned him immediate success in Japan and ...
For Eye of God, see Eye of God (disambiguation). A God's eye (in Spanish, Ojo de Dios) is a spiritual and votive object made by weaving a design out of yarn upon a wooden cross. Often several colors are used. They are commonly found in Mexican, Peruvian, and Latin American communities, among both Indigenous and Catholic peoples.