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Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
Twelfth century European fashion was simple in cut and differed only in details from the clothing of the preceding centuries, starting to become tighter and more similar for men and women as the century went on, which would continue in the 13th century. Men wore knee-length tunics for most activities, and men of the upper classes wore long ...
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Hennin. A conical hennin with black velvet lappets (brim) and a sheer veil, 1485–90. The hennin ( French: hennin / ˈhɛnɪn /; [ 1] possibly from Flemish Dutch: henninck meaning cock or rooster) [ N 1] was a headdress in the shape of a cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. [ 2]
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [ 1] the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes. [ 2]
1300–1400 in European fashion. Clothing of the first half of the 14th century is depicted in the Codex Manesse. In the lower panel, the man is dressed as a pilgrim on the Way of St James with the requisite staff, scrip or shoulder bag, and cockle shells on his hat. The lady wears a blue cloak lined in vair, or squirrel, fur.
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