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The Universal Dictionary of Violin & Bow Makers is a widely cited reference work providing information on approximately 9,000 violin makers. The work is based on the extensive notes of violinist and composer William Henley (1874-1957). Henley had in his youth studied with August Wilhelmj, and later became a professor of composition and ...
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Claude Debussy 's Six sonatas for various instruments (French: Six sonates pour divers instruments) was a projected cycle of sonatas that was interrupted by the composer's death in 1918, after he had composed only half of the projected sonatas. He left behind his sonatas for cello and piano (1915), flute, viola and harp (1915), and violin and ...
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v. t. e. The violin, viola and cello were first built in the early 16th century, in Italy. The earliest evidence for their existence is in paintings by Gaudenzio Ferrari from the 1530s, though Ferrari's instruments had only three strings. The Académie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of ...
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Nicola Matteis (Godfrey Kneller, 1682)Nicola Matteis (Matheis) (c. 1650 – after 1713 [1]) was the earliest notable Italian Baroque violinist in London, whom Roger North judged in retrospect "to have been a second to Corelli," and a composer of significant popularity in his time, though he had been utterly forgotten until the later 20th century.
Pablo de Sarasate, Philharmonisches Orchester Hamburg. The Violin Concerto No. 3 in B minor, Op. 61, by Camille Saint-Saëns is a piece for violin and orchestra written in March 1880. Saint-Saëns dedicated the concerto to fellow composer - virtuoso Pablo de Sarasate, who performed the solo part at the premiere in October 1880 in Hamburg.