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Victorio Candido Edades (December 23, 1895 – March 7, 1985) was a Filipino painter. He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art. He was named a National Artist in 1976. The history names Victorio Edades as “the father of Modern Philippine art".
Overview. The National Commission for Culture and the Arts, the cultural agency of the Philippine government, has categorized Filipino arts as traditional and non-traditional. Each category has sub-categories. Traditional arts: [ 1] Ethnomedicine – including the arts of hilot and the arts of the albularyo and babaylans [ 3] Folk architecture ...
Modern Arnis is the system of Filipino fighting arts founded by Remy Presas as a self-defense system. His goal was to create an injury-free training method as well as an effective self-defense system in order to preserve the older Arnis systems. The term Modern Arnis was used by Remy Presas' younger brother Ernesto Presas to describe his style ...
Napoleon Abueva. Napoleon "Billy" Veloso Abueva (January 26, 1930 – February 16, 2018) was known as the "Father of Modern Philippine Sculpture" Through Proclamation No. 1539. He was proclaimed National Artist for Sculpture in 1976 when he was 46, making him the youngest recipient of the award to date.
Vicente Silva Manansala (January 22, 1910 – August 22, 1981) was a Filipino cubist painter and illustrator. [1] One of the first Abstractionists on the Philippine art scene Vicente Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and cosmopolitan ways of life.
There are several forms of Filipino martial arts that originated in the Philippines (similar to how Silat is the martial arts practiced in Asia) including Eskrima (weapon-based fighting, also known as Arnis and in the West sometimes as Kali), Panantukan (empty-handed techniques), and Pananjakman (the boxing component of Filipino martial arts).
Arnis, also known as kali or eskrima/escrima, is the national martial art of the Philippines. [3] These three terms are, sometimes, interchangeable in referring to traditional martial arts of the Philippines ("Filipino Martial Arts", or FMA), which emphasize weapon-based fighting with sticks, knives, bladed weapons, and various improvised weapons, as well as "open hand" techniques without weapons.
Filipino rituals are often shown in dance, because for Filipinos, dance is the highest symbolic form. It transcends language and is able to convey emotions, collective memory, and articulate their purpose. Dance in this case, is the fundamental expression of their complex message and intention.