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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity .
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
Religious image. A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones. [citation needed]
Aniconism is the absence of material representations of the natural and supernatural world in various cultures. Most denominations of Christianity have not generally practiced aniconism, or the avoidance or prohibition of these types of images, even dating back to early Christian art and architecture.
Halo (religious iconography) A halo (from Ancient Greek ἅλως (hálōs) 'threshing floor, disk'; [ 1][ 2] also called a nimbus, aureole, glory, or gloriole ( Latin: gloriola, lit. 'little glory') is a crown of light rays, circle or disk of light [ 3] that surrounds a person in works of art. The halo occurs in the iconography of many ...
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]
A God's eye (in Spanish, Ojo de Dios) is a spiritual and votive object made by weaving a design out of yarn upon a wooden cross. Often several colors are used. They are commonly found in Mexican, Peruvian, and Latin American communities, among both Indigenous and Catholic peoples. Ojos de Dios are common in the Pueblos of New Mexico.
The prohibition against icons was due to verses in Exodus 20:4 which critiqued the worship of graven images. [31] [32] Most figurative images were destroyed or plastered over, with exceptions of images at the monastery of Saint Catherine on Mount Sinai, Egypt. [33] [30] Byzantine art style declined after the Fall of Constantinople in 1453. [34 ...