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One half step down from Drop D. Utilized by bands like Guía Luz Negra, Dir En Grey, Your Demise, Oceana, Alter Bridge, Alice in Chains on some songs (like "Them Bones" or "We Die Young"), A Day to Remember (on the song "It's Complicated"), Chevelle (on Sci-Fi Crimes), Of Mice & Men, Sleeping With Sirens on their debut album With Ears to See ...
Do you hear the captain calling, “Dinah blow your horn”? The Eyes of Texas Are Upon You. The Eyes of Texas are upon you, All the live-long day. The Eyes of Texas are upon you, [8] You cannot get away. Do not think you can escape them, From night ‘til early in the morn. The Eyes of Texas are upon you, ’til Gabriel blows his horn. [9]
Corman made X: The Man with the X-ray Eyes after his 1963 H. P. Lovecraft film adaptation The Haunted Palace. In his non-fiction book Danse Macabre, Stephen King claims there were rumors the ending originally went further, with Milland crying out "I can still see" after gouging out his eyes. [6]
The original album was released in 1984 on the traditional two-sided vinyl LP and cassette formats. In keeping with Waters' concept, there are five seconds missing between sides one and two to allow the listener to flip the record (or turn the cassette) in order to keep the second half starting at exactly 4:50 AM as planned.
The most famous recording of this song featured Pebbles and Bamm-Bamm on The Flintstones "No Biz Like Show Biz" episode (which originally aired September 17, 1965). The clip of them performing this song was sometimes played during the closing credits in the show's final season (1965–1966), this episode being the opener of that season.
For example, in his writeup for Engadget, Kris Holt, mentions that when a "nameless" employee at the publication used it, the bot responded that his taste in music was "your Spotify was 'please-read-my-manuscript-60-dollar-white-tshirt-local-talk-radio-bumper-sticker-bitch' bad." [2]
Entertainment Weekly wrote that "taken together, the album — with its unceasing references to rain and rivers — inevitably bogs down, but heard one at a time over the FM in the Ford, even its platitudes, given [John] Waite’s delivery, add up to a hack-rock miracle or two."
"What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs.