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Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
Standard tuning (listen) Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e ...
Baritone (older use) / 6 string bass (older use) such as the Fender Bass VI – E 1 A 1 D 2 G 2 B 2 E 3 (Similar to a standard guitar but an octave lower, and often played like a standard guitar rather than a bass guitar.) Baritone guitar (contemporary versions) – B 1 E 2 A 2 D 3 F♯ 3 B 3 a fourth below standard tuning, although A 1 to A 3 ...
The Fender VI was released in 1961 and followed the concept of the Danelectro six-string bass released in 1956, having six strings tuned E1 to E3, an octave below the Spanish guitar. The Bass VI was closely related to the Fender Jaguar, with which it shared styling and technical details, notably the Fender floating tremolo.
A later tuning was BEADGBE, following standard seven-string-guitar tuning (EADGBE plus a low B). He later narrowed the neck down to convert it to a six-string instrument, tuned EADGBE. In 1995, luthier Bill Conklin made a nine-string bass for Bill "Buddha" Dickens, and in 1999 luthier Alfonso Iturra made an eight-string bass for Igor Saavedra.
The Fender VI, a 6 string bass, was tuned one octave lower than standard guitar tuning. It was released in 1961, and was briefly favored by Jack Bruce of Cream. [30] Gibson introduced its short-scale 30.5-inch (775 mm) EB-3 in 1961, also used by Bruce. [31]
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