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Emma Allen. Emma Allen (born 1987 or 1988) is a cartoon editor for The New Yorker. When she was hired for the role in 2017 at the age of 29, she became the youngest and first female cartoon editor in the magazine's history. [1] [2] She is known for selecting new and diverse humor contributors for the magazine. Editor David Remnick called her "a ...
A Life in Cartoons. The Naked Cartoonist: A Way to Enhance your Creativity. www .bobmankoff .com. Robert Mankoff (born May 1, 1944 [ 1]) is an American cartoonist, editor, and author. He was the cartoon editor for The New Yorker for nearly twenty years. Before he succeeded Lee Lorenz as cartoon editor at The New Yorker, Mankoff was a New Yorker ...
Thirty shorts from KaBlam!, including Sniz & Fondue, Action League Now!, Prometheus and Bob, Life with Loopy, and sometimes The Off-Beats were shown during Nickelodeon's Nicktoons TV block in 1998 and 1999, and later during commercial breaks on Nicktoons .
Bob Mankoff. Reginald Marsh (artist) Henry Martin (cartoonist) Michael Maslin. Bruce McCall. Will McPhail. Frank Modell. Liz Montague. Wallace Morgan.
Finck began contributing to The New Yorker in 2015 and maintains a monthly advice column comic called Dear Pepper. [1] She appears in Very Semi-Serious, an HBO documentary about New Yorker cartoonists. The film follows Finck's early meetings with Bob Mankoff, then cartoon editor for The New Yorker, through the triumph of her first sale. [5]
Curt Chaplin (1982–1992) The USA Cartoon Express was a programming block consisting of animated children's series which aired on the USA Network from September 20, 1982 [ 1] to September 15, 1996. Cartoon Express was the first structured animation block on cable television, predating Nickelodeon 's Nicktoons and Cartoon Network by a decade.
A Balmy Swami. Bambi Meets Godzilla. The Bandmaster (1930 film) Banjo the Woodpile Cat. Barnacle Bill (1930 film) A Barnyard Frolic. Bars and Stripes. Bartholomew Versus the Wheel. Bathtime in Clerkenwell.
The New Yorker "I never saw myself really in the cartoons because they were all white." Montague wrote a letter to The New Yorker expressing concern over the lack of cartoonists of color in its publication. When asked who she’d recommend as a cartoonist, she named herself.