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  2. C-sharp major - Wikipedia

    en.wikipedia.org/wiki/C-sharp_major

    Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit. Erich Wolfgang Korngold composed his Piano Concerto for the Left Hand, Op. 17, in C-sharp. The Allegro de concierto by Spanish composer Enrique Granados is written in C-sharp major.

  3. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).

  4. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...

  5. Leading-tone - Wikipedia

    en.wikipedia.org/wiki/Leading-tone

    In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, the leading tone refers to the seventh scale degree of a major scale ( ), a major seventh above the tonic.

  6. Major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Major_seventh_chord

    The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:

  7. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    Dominant seventh chords are often built on the fifth scale degree (or dominant) of a key. For instance, in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord, G 7 (shown above). In this chord, F is a minor seventh above G.

  8. Lydian chord - Wikipedia

    en.wikipedia.org/wiki/Lydian_chord

    Lydian chord. In jazz music, the lydian chord is the major 7♯11 chord, [ 1] or ♯11 chord, the chord built on the first degree of the Lydian mode, the sharp eleventh being a compound augmented fourth. This chord, built on C, is shown below. This is described as "beautiful" and "modern sounding." [ 1] The notes that make up the Lydian chord ...

  9. Major chord - Wikipedia

    en.wikipedia.org/wiki/Major_chord

    3-11 / 9-11. In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad. For example, the major triad built on C, called a C major triad, has pitches C–E–G: Audio playback is not supported in your browser.