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2. Head-related transfer function - Wikipedia

   en.wikipedia.org/wiki/Head-related_transfer_function

   HRTF filtering effect. A head-related transfer function (HRTF) is a response that characterizes how an ear receives a sound from a point in space. As sound strikes the listener, the size and shape of the head, ears, ear canal, density of the head, size and shape of nasal and oral cavities, all transform the sound and affect how it is perceived, boosting some frequencies and attenuating others.

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4. Stenomask - Wikipedia

   en.wikipedia.org/wiki/Stenomask

   A stenomask is a hand-held microphone built into a padded, soundproof enclosure that fits over the speaker's mouth or nose and mouth. Some lightweight versions may be fitted with an elastic neck strap to hold them in place while freeing the user's hands for other tasks. The purpose of a stenomask is to allow a person to speak without being ...

5. Headphones - Wikipedia

   en.wikipedia.org/wiki/Headphones

   Headphones are a pair of small loudspeaker drivers worn on or around the head over a user's ears. They are electroacoustic transducers, which convert an electrical signal to a corresponding sound. Headphones let a single user listen to an audio source privately, in contrast to a loudspeaker, which emits sound into the open air for anyone nearby ...

6. Bone conduction - Wikipedia

   en.wikipedia.org/wiki/Bone_conduction

   Bone conduction is the conduction of sound to the inner ear primarily through the bones of the skull, allowing the hearer to perceive audio content even if the ear canal is blocked. Bone conduction transmission occurs constantly as sound waves vibrate bone, specifically the bones in the skull, although it is hard for the average individual to ...

7. Line level - Wikipedia

   en.wikipedia.org/wiki/Line_level

   Line level is the specified strength of an audio signal used to transmit analog sound between audio components such as CD and DVD players, television sets, audio amplifiers, and mixing consoles . Generally, line level signals sit in the middle of the hierarchy of signal levels in audio engineering.