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III is the third album from Bad Books, the collaborative project from Kevin Devine and Manchester Orchestra members Andy Hull and Robert McDowell. The album was released in digital format on June 14, 2019 while the physical release took place on June 21, 2019 on Loma Vista Recordings. [8] [9] [10]
Bad Books is the debut album from the folk/indie rock collaboration project by folk artist Kevin Devine and members of indie rock band Manchester Orchestra. It was released digitally on October 19, 2010, and with a physical CD copy following on November 9, 2010 through Manchester Orchestra 's own label Favorite Gentlemen Recordings .
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
"Ticket to Ride" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. Issued as a single in April 1965, it became the Beatles' seventh consecutive number 1 hit in the United Kingdom and their third consecutive number 1 hit (and eighth in total) in the United States, and similarly topped national charts in Canada, Australia and ...
Bad Books is an American indie rock band formed in early 2010, and is composed of indie folk artist Kevin Devine and members of indie rock band Manchester Orchestra along with drummer Benjamin Homola. The collaboration began when Kevin toured along with Manchester Orchestra in November–December 2008 in support of his EP I Could Be with Anyone ...
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode.
In non-classical music, singers are primarily defined by their genre and their gender and not by their vocal range. [2] When the terms soprano , mezzo-soprano , contralto , tenor , baritone , and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally ...
The book opens with a warning that it will "put bad songs into your head" (or at least wake up the ones that are dormant), and suggests that it instead be given to your enemies as a potent psychological weapon. This kind of hyperbole is also found in the book's criticism of cheesy or overly sappy lyrics, and is a hallmark of Barry's writing style.