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The Zulu time zone (Z) is equivalent to Coordinated Universal Time (UTC) and is often referred to as the military time zone. The military time zone system ensures clear communication in a concise manner, and avoids confusion when coordinating across time zones. The CCEB, representing the armed forces of Australia, Canada, New Zealand, the ...
In the United States Army, tabs are cloth and/or metal arches that are worn on U.S. Army uniforms, displaying a word or words signifying a special skill. On the Army Combat Uniform and Army Service Uniform, the tabs are worn above a unit's shoulder sleeve insignia (SSI) and are used to identify a unit's or a soldier's special skill(s) or are worn as part of a unit's SSI as part of its unique ...
Parachute cord (also paracord or 550 cord when referring to type-III paracord) is a lightweight nylon kernmantle rope originally used in the suspension lines of parachutes. This cord is now used as a general purpose utility cord. This versatile cord was used by astronauts during the 82nd Space Shuttle mission to repair the Hubble Space Telescope.
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
The T-10 Parachute is a series of static line -deployed parachutes used by the militaries for combat mass-assault airborne operations and training. The T-10 parachute was introduced in the early 1950s. In 1976, the B model introduced the anti-inversion net; in 1986, the C model was introduced, which changed the pocket band free length from 4 ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [ 1] It resembles the Roman numeral [ 2] and figured bass systems ...
List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...