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Without Words: Genesis. Without Words: Genesis (stylized GENESIS) is the fourth remix album by Bethel Music, and their eighteenth full-length overall. It is also the third installment of the Without Words series. It was released on November 15, 2019 through its own imprint label, Bethel Music.
Without Words: Synesthesia. Without Words: Synesthesia is the second remix album by Bethel Music, the second release in their Without Words series, and their eleventh album, overall. The album was released on July 31, 2015 via the collective's imprint label, Bethel Music. [1] Bobby Strand and Chris Greely produced the album.
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Songs Without Words. Songs Without Words ( Lieder ohne Worte) is a series of short lyrical piano works by the Romantic composer Felix Mendelssohn written between 1829 and 1845. His sister, Fanny Mendelssohn, and other composers also wrote pieces in the same genre.
Popular music. Styles of popular music that frequently employ non-lexical vocables include: A cappella (singing without instrumental accompaniment, sometimes accompanied by a chorus of nonsense syllables) Doo-wop (style of rhythm and blues music that often employs nonsense syllables) Scat singing influenced the development of doo-wop and hip hop.
Without Words is the first remix album by California -based worship collective Bethel Music, and it is also the fifth album overall to be released. The album was released on March 5, 2013 by the group's imprint label, Bethel Music alongside Integrity Music. [1] [2] [3] Garrett Viggers and Gabriel Wilson produced the album together.
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Scat singing. Originating in vocal jazz, scat singing or scatting is vocal improvisation with wordless vocables, nonsense syllables or without words at all. [2] [3] In scat singing, the singer improvises melodies and rhythms using the voice solely as an instrument rather than a speaking medium.