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An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the ...
O Captain! My Captain! at Wikisource. " O Captain! My Captain! " is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime. Together with "When Lilacs Last in the Dooryard ...
The dreamer stands on the other side of the stream from the Pearl-maiden. Pearl is one of the greatest allegories from the High Middle Ages. [ 1] As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political ...
Cuarón used the film The Battle of Algiers as a model for social reconstruction in preparation for production, presenting the film to Clive Owen as an example of his vision for Children of Men. In order to create a philosophical and social framework for the film, the director read literature by Slavoj Žižek, as well as similar works. [28]
0-486-26690-7. Ethan Frome is a 1911 novella by American author Edith Wharton. It details the story of a man who falls in love with his wife's cousin and the tragedies which result from the ensuing love triangle. The novel has been adapted into a film of the same name. [ 1]
District 9. District 9 is a 2009 science fiction action film directed by Neill Blomkamp in his feature film debut, written by Blomkamp and Terri Tatchell, and produced by Peter Jackson and Carolynne Cunningham. It is a co-production of New Zealand, the United States, and South Africa. The film stars Sharlto Copley, Jason Cope, and David James ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [ 1][ 2] In the distinction between literal and figurative language, figures of speech constitute the latter.
In his essay Poetry-Films and Film Poems in Film Poems, William C. Wees differentiates between poetry-film using a film to ‘illustrate’ a poem, and film poems in which ‘a synthesis of poetry and film that generates associations, connotations and metaphors neither the verbal nor the visual text could produce on its own.’ [9] [10]