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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
raycharles .com. Signature. Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, musician [ a] and composer. He is regarded as one of the most iconic and influential musicians in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being ...
Smoke Gets in Your Eyes. " Smoke Gets in Your Eyes " is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical comedy Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray ...
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These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones. Often these tunings form a suspended chord on the open strings. A well known user of modal tunings is Sonic Youth. Asus2: E-A-B-E-A-E; Asus4: E-A-D-E-A-E (used by Davey Graham in "Lord Mayo/Lord Inchiquin" on The Complete Guitarist) [19]
Bad, Bad Leroy Brown. " Bad, Bad Leroy Brown " is an uptempo, strophic story song written by American folk rock singer Jim Croce. Released as part of his 1973 album Life and Times, the song was a No. 1 hit for him, spending two weeks at the top of the Billboard Hot 100 in July 1973. Billboard ranked it as the No. 2 song for 1973.
Slim Willet. " Don't Let the Stars Get in Your Eyes " is a country song about a man away from home who is worried that his paramour may unwittingly stray from their relationship. It was written by Winston L. Moore (whose stage name was Slim Willet) and published in 1952. [ 1] The song has been recorded in many different styles by many ...
file. help. " Wouldn't It Be Nice " is a song by the American rock band the Beach Boys and the opening track from their 1966 album Pet Sounds. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound -style arrangement and refined vocal performances, and is regarded among the band's finest songs.