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Since there is no limit to a scam artist’s potential, recognizing signs of common scams will serve you well. Here are examples of three of the most common scams out there today and how to block ...
This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons. Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art. In recent times, graphical icons, both static and animated, have joined the traditional text-based emoticons; these are commonly known as emoji.
Can also mean "crazy" in a very strong sense, as in "Are you befok?" – derogatory. Can also mean "to have sex with". befoetered/bedonnered/bemoerd – lit. "extremely angry" similar to "diedonnerend", etc. Usually used to refer to a person who is often in a very bad mood.
Typographical symbols and punctuation marks are marks and symbols used in typography with a variety of purposes such as to help with legibility and accessibility, or to identify special cases. This list gives those most commonly encountered with Latin script. For a far more comprehensive list of symbols and signs, see List of Unicode characters.
One should always leave a light burning in an empty theatre. [7]Though it is a superstition, it does have practical value as well: the backstage area of a theatre tends to be cluttered with props and other objects, so someone who enters a completely darkened space is liable to be injured while hunting for a light switch.
Assuming one has a good relationship with their “bad texter,” this is likely because this bad texter just hasn't mastered the art of texting to convey the proper emotion. “Text messages that ...
“The pressure to perform on the Olympic stage is immense,” they continued. “Especially against the opponents in her particular group.” Despite the backlash, Raygun shared in an Instagram ...
In this the wolf dresses itself as a shepherd, but when it tries to imitate his call, it wakes the real shepherd and his dogs. Since the wolf is encumbered by its disguise, it cannot get away and is killed. This is the version followed in La Fontaine's Fables (III.3). [10] The conclusion both poets draw is the same as that of Nikephoros.